Aaron Spinney and Cass Enright

Bar Towel Radio with Aaron Spinney

March 4th, 2017 Posted by Bar Towel Radio, Feature No Comment yet

This week we sat down for a beer and a chat with Aaron Spinney, the brewer of the soon-to-open Merit Brewing in Hamilton, Ontario.  Aaron is one of the many nice dudes in the Ontario beer scene, and it is exciting to see his new venture take shape alongside Tej Sandhu and (OG Bar Towel Forum member) Jesse Vallins, two other well-known players in the local beer and food world.

You can listen to this episode of Bar Towel Radio below or on iTunes or Google Play:



Ontario Craft Ingredients: Barn Owl Malt

January 15th, 2017 Posted by Feature No Comment yet

In recent years craft brewing has undergone quite the renaissance. Hundreds of new brewers, thousands of new beers and countless loyal craft beer drinkers. Behind the scenes, a second revolution is starting to take shape: The craft growers, cultivators and producers of craft beer ingredients. As part of a three-part series, I’m taking a closer look at a handful of these less-heralded players in the craft beer industry. To finish things up I’m taking a look at a budding malting company by the name of Barn Owl Malt.

Normally when I’m setting out to write one of these articles, I spend a few days doing background research on the ingredient in question. For the previous articles this was fairly straightforward. First you find out who the big guys are using to get their ingredients, then you look into the handful of “big” craft guys. After that you look into the history of the ingredient and try to find as much out as you can about how it’s grown as an industry in Canada. As it turns out, this process didn’t work at all for malt, for a variety of reasons. For one thing, malting is big business. It is well established in Canada, but is also a surprisingly distributed industry with huge facilities operating all over the world. To be honest, I found this pretty daunting. Once the multinational conglomerates are involved it gets pretty tricky to figure out what’s going on in an industry. Luckily for me I happened across an excellent blog post on The Ripley Blog that pretty much covers everything I wanted to cover on the global industry. Heck, he even went and did a great write-up on how malting works for the craft industry. So, continuing to be honest here, I’m not going to write any more about this. If you’re interested, go read it over there.

An old Canada Malting facility

An old Canada Malting facility


One thing I did learn while basically skipping out on all the research I normally do for an article is the craft malting industry in Ontario and Canada overall pretty much doesn’t exist. There are a handful of outfits in Quebec and a few more than that in the US who are trying to bring craft back to malting, but that’s about it. You pretty much never hear about or see malt in shops from anyone other than the big guys. The closest thing to a local malting company I had heard of until I started working on this article was BSG Canada, formerly known as Gilbertson & Page. They’re based in Guelph and have been serving home and craft brewers since the 90s, but as near as I can tell they’re really more of a malt distributor than a producer, outside of their OIO line of adjuncts which I don’t consider to technically be malt. So when I heard that a real craft malt house was opening up outside of Belleville, I was pretty excited.

Barn Owl is the result of a lot of hard work from husband and wife duo Devin and Leslie Huffman. After years of travelling and working all over Northern Canada, they decided to settle down on some land just outside of Belleville that belonged to Devin’s grandparent’s, but had been sitting idle for the last 15 years. They actually considered putting the land to use for quite a few things at first, ranging from hobby farm to starting a craft brewery. Looking into the brewery made them realize that craft malting was a largely untouched field in Ontario, which I think was an opportunity that Devin couldn’t help but leap at.

We started looking at the supply chain and we realized that wait a minute, there’s no Ontario grains in this.
Devin Huffman

Starting a brand new industry is an incredibly challenging endeavor, but for a guy like Devin that was part of the appeal. Building something from scratch, in this case not just his own malting system and facility but potentially an entire industry actually intrigued him and as it turns out Devin is a pretty uniquely skilled guy to undertake it. He’s got a background in forestry and plant biology, plus more experience in mechanical engineering, which he needed to build the malting facility by himself. Beyond that he’s also a trained maltster, having spent time at the Canada Malting and Barley Technical Center.

The first step was deciding what kind of maltster he wanted to be. The more common approach is to buy a pneumatic malting system, but that wasn’t something they thought made sense, at least not at the scale (Barn owl can handle about 5 tonnes of malt a week) they were thinking. Instead, Devin opted to build a floor malting system. Floor malting is much cheaper than pneumatic, but much more rustic. To get set up they had to read texts from the 1800s on malting processes since that’s the only place where the knowledge exists. Floor malting is also incredibly labour intensive. With a pneumatic system you can be productive and basically put in regular 9-to-5 hours, but with floor malting you sometimes have to be up at all hours doing hard work. To get a feel for what I’m talking about here, imagine working all day, then needing to get up at 3 in the morning and shoveling your driveway. Well, if your driveway has 5 tonnes of snow on it. I guess it’s more like shoveling every driveway on your street. So yeah, floor malting is rare.

Devin turning the malt

Devin turning the malt


At first they looked into finding a space in Belleville, but that turned out to be difficult due to regulations and red tape. Plus, even with a pre-existing building they’d have to retrofit extensively, so they opted to build their own building instead. As Devin described it building was hard, but not that bad. The biggest obstacle was regulations. It’s hard to peg where in the building code a malt house lives, mostly because nobody has done it before so there’s no precedent. Originally they were classified as a distillery, which would have made the whole operation impossible. For a while they were looking like a grain elevator, which would have crushed them on insurance costs. After 11-12 months of negotiating with the government for permits they started construction in December of 2015. A few months later (I visited them in the summer) they were up and running.

The overall process isn’t actually all that complicated, but as with so many manual processes the devil really is in the details. The floor in floor malting turns out to be nothing more than a polished concrete slab in a climate controlled building. The only real difference between it and any other warehouse floor is this floor needs to be kept clean like any other food preparation facility. The first step in the process is steeping raw barley in a large tank until it hits a target moisture content. Then they drain the tank and spread the barley out on the floor wait for signs of germination, which is triggered by the steeping. The thing that happens during, or just before germination that we’re interested in is the conversion of the starches, which are bad food for yeast, that occur naturally in barley into sugars, which are great food for yeast.

Floor Malting is pretty much what it sounds like.

Floor Malting is pretty much what it sounds like.


The tricky part of a floor malting system is all about heat management. When wet barley is germinating on the floor it gives off a lot of heat. If it gets too hot, you can end up with moulds or off flavours in the finished product. If it gets too cold, germination is stalled and starch conversion grinds to a halt. Getting too hot is the more common problem, Devin says they have to run the AC in the malt house even when the outside temperature dips below 0 degrees. To help dissipate the heat and keep all the grain in the bed moving at the same speed it’s necessary to turn the bed (Devin uses a snow shovel) every 6 or 8 hours. Further complicating matters, it turns out that every batch of barley has slightly different moisture content and other characteristics, meaning that every time they work with a new supply they have to dial in their malting system to optimize it for that specific barley. At the end of the day it’s a delicate balance between turning to dissipate heat, piling more on the grain bed to increase production and not turning too much and damaging the grain.

When the texture of the barley changes they know that the starch modification is nearly complete and they can move on to kilning the barley, which basically just means toasting it in a giant toaster oven. Once kilning is done and the barley (now malt) is cooled, the process is done and it can be packaged and sent off to the brewers to make their magic.

Lots and lots of malt

Lots and lots of malt


Because they have to dial the system in for each batch of barley, they prefer larger farms. In the Western provinces a maltster could buy directly from a grain elevator, which tends to sell very uniform and high quality malt. Unfortunately in Ontario there are no grain elevators and most barley is grown in smaller batches, normally just a few acres at a time, because it’s not a common crop here and it’s hard for a farmer to justify growing it as their primary crop. Barley growers face a lot of obstacles, especially in Ontario. Typically farmers who grow barley do so without a contract, meaning there’s no guarantee that they sell their product at the end of the year. Before Barn Owl came around, the only way to sell their crop at the end of the year was to take it to a big malt house like The Canada Malting Company. Canada malting is very strict with their quality standard, which they need to be to produce a consistent product. 20% is the average selection rate, which is not very appealing for Ontario farmers. In the prairies if they couldn’t sell to a malting company they could at least unload it to an elevator for feed and recoup some of their costs. Here, they pretty much have to dig a hole and bury it.

A big part of our business is working on facilitating that barrier to growers
Devin Huffman

It’s worth pointing out that Canada Malting and the other big malt houses actually do make a very good product. It’s very consistent, very predictable and for those reasons lends itself very well to producing repeatable batches of beer. There’s nothing wrong with that, but one of the things I really like about Barn Owl is they’re not just trying to repeat that model with the craft moniker on top. Instead, they’re embracing that other 80% of malt for it’s variety and the more complex flavours it imparts. This involves creating a modified standard of quality for craft malting. Because their system is so hands on and individually managed, Barn Owl can work very well with barley that isn’t up to industry standards.

What we’re looking for, what we’re trying to highlight with a malt house like this are annual variations, the terroir of Ontario grains.
Devin Huffman

Working with smaller, more variable batches has advantages. Variations in batches from farm to farm and year to year should produce unique qualities for each batch. Where the grain in a bag of malt from a large malt house might have come from ten or twelve farms, every bag of Barn Owl malt will be single-origin. This allows ambitious brewers to match recipes to specific batches of grain, or more importantly select a malt with specific characteristics they are looking for.

As with most other small producers, the key for Barn Owl is finding brewers who are willing to work with them to make the most of local ingredients. Many breweries have shown interest so far, with the strongest demand coming from the nearest breweries in Prince Edward county. This is a natural partnership, since these breweries are best positioned to take advantage of the marketing benefits of using local ingredients. With a couple of hop growers popping up in the county its becoming possible for brewers like Church Key, Barley Days or the MacKinnon brothers to make a beer from entirely locally-sourced ingredients.

Hands on brewers are best!

Hands on brewers are best!


Devin is able to kiln malt to more or less any level of darkness, but the plan in the early days is to focus on a brand of “pale malt” which would be suitable for lighter beers and pale ales. They’ll make a lot of the flagship, but probably offer special runs of darker stuff on special request from brewers. He plans to eventually expand the lineup to include two or three base lines and get to the point where he can make any ind of malt a brewer demands.

We try to avoid identifying with and comparing to base malt. Base malt is bland and it’s just about getting the gravity up. Whereas our malt, we’d like to be able to have extraction levels, conversion times and enzyme levels that are comparable to base malt but really it’s a stand alone barley that you could make really nice ales with a single one of our barleys. There would be enough flavor in it, enough profile and character and colour.
Devin Huffman

In what has become a trend for craft producers, Devin values the homebrew market. This is partly because from the very beginning home brewers were among his biggest supporters and were eager to try out his stuff. He views home brewers as an outlet to do things a little more creatively. That could help them develop new kilning routines to come up with his version of say, a crystal or maybe a smoked malt. Barn Owl have already found their way into homebrew shops and they say they intend to set aside a certain percentage of their capacity specifically for the homebrew community. I recently got a bag of their pale malt myself and I was very impressed. Tasting it raw I could immediately tell this stuff has a lot more character than your typical bag of 2-row. I used it to make a hoppy pale ale that came in around 4.8% alcohol. In brewing it behaved exactly as other malts I’ve used, but the beer had a very satisfying body without any adjuncts.


Bar Volo - Outside Tap Board

Memories from the Last Days of Bar Volo

October 11th, 2016 Posted by Bar Towel Radio, Feature 1 comment

On October 1st, 2016, Bar Volo, one of Toronto’s most revered beer bars, closed its doors due to a future development on the property. Bar Volo has been one of the most influential beer bars in the local beer scene, as they have hosted numerous tap takeovers, beer events and tastings over the years, perhaps most notably Cask Days, which is now a stand-alone festival at the Evergreen Brick Works.

Bar Volo’s final day coincided with this year’s Zwanze Day, an international, simultaneous beer festival of sorts, whereby numerous bars around the world all tap a special keg from the Cantillon Brewery of Belgium.

Being Volo’s last day, I took this opportunity to chat with the many brewers, beer lovers and other members of the beer industry who attended to celebrate this momentous beer bar, and look forward to Volo’s new beginnings on College Street and Church Street.

This episode of Bar Towel Radio consists of personal memories recorded live over the final two days of Bar Volo.  Some of the stories recounted included the first Cask Days, the Beau’s tap takeover Beaulo, the Stone Brewing feature, the Dieu du Ciel Peche Mortel launch event and the first Funk Night, amongst others.

Thanks to the participants which included Maz Brereton, Nick Pashley, Ken Woods, Doug Shoemaker, Russ Burdick, Jason Fisher, Ryan Morrow, Robin LeBlanc, Rob Morra, Mike Lackey, Cody Noland, Michael Hancock, Sam Corbeil, Zack Weinberg, Matt Tweedy, Jason Tremblay, Iain Mcoustra, Luc Lafontaine, Julian Morana and Ralph Morana.

You can listen to the episode below or on iTunes or Google Play:



A Fireside Chat with Muskoka’s Gary McMullen

October 8th, 2016 Posted by Bar Towel Radio, Feature No Comment yet

Earlier this week Muskoka Brewery hosted a beer dinner at Café Belong at the Evergreen Brick Works, to promote the launch of their new winter seasonal, Shinnicked Stout. Around the outdoor campfire which concluded the dinner, I was able to have a quick chat with Gary McMullen, founder of Muskoka, about their history, the evolution of the Ontario beer scene and the current state of their brewery.

Give a listen to the latest episode of Bar Towel Radio below or on iTunes or Google Play:


Please note: as the episode was recorded outdoors, at times there was some wind noise. Hopefully that will not interfere with your enjoyment of the episode.


A Beer with Jim Koch

September 27th, 2016 Posted by Bar Towel Radio, Feature No Comment yet

Jim Koch, Founder and Brewer of the Boston Beer Company, known for the legendary beer brand Samuel Adams, was in town last week for Toronto Beer Week. During that time I was fortunate to record a podcast with him, and it was one of the most memorable experiences of my beer drinking lifetime.

Samuel Adams has had a long history in Ontario and with my own personal beer experiences. I recall Samuel Adams Boston Ale hitting the LCBO shelves in the 1990s and how delicious it was. Of course how could I forget the appearance of Triple Bock, a beer so different I don’t think anyone of my generation had tried anything like it before.  I remember interesting seasonals like Old Fezziwig coming to Ontario which were unlike what we were seeing locally at the time, and spent early travels in the United States seeking out others. And I was grateful to Samuel Adams (and their local partner Moosehead) for entrusting me to the scoop of their initial release of Utopias and Infinium to the Ontario market back in 2010.

It was an absolute pleasure to chat with Jim, a charming man who has been a pioneer in the microbrewing and craft beer industry and an extremely astute and successful businessman, but a humble and friendly individual generous enough to spare some time for a long-time fan. Give it a listen below, or via iTunes or Google Play.

Give it a listen below or on iTunes or Google Play:


2016 Golden Tap Awards Announced

September 23rd, 2016 Posted by Beer Awards, Feature, Golden Tap Awards No Comment yet

Last night at beerbistro the 2016 Golden Tap Awards were handed out at a gala event featuring an all-Ontario craft beer festival.  The Golden Tap Awards are Ontario’s most democratic beer awards event, and have been recognizing achievements in the beer industry for fourteen years. The winners were as follows:

  • Best craft brewery: Great Lakes
  • Best bar for draught beer selection: Bar Hop
  • Best bar for bottled and/or canned beer selection
  • Best brewpub or tied house: Bellwoods Brewery
  • Best regularly-produced craft beer: Great Lakes Canuck Pale Ale
  • Best seasonal, limited release or specialty craft beer: Great Lakes Karma Citra
  • Best craft cidery: West Avenue
  • Best Beer Design and Branding: Collective Arts
  • Most Innovative Brewery: Bellwoods Brewery
  • Best Newcomer (Bar): Bar Hop Brewco
  • Best Newcomer (Brewery): Halo Brewery
  • Best Event: Cask Days
  • Best Staff: Bar Hop
  • Best Beer Writer: Ben Johnson
  • Brewmaster’s Choice: Bellwoods Motley Cru
  • Best Beer of the Festival: Indie Alehouse Interloper
  • Editor’s Circle Award: Escarpment Labs
  • Editor’s Circle Award: Brad Campeau / Brew Donkey
  • Editor’s Circle Award: Stephen Beaumont
  • Editor’s Circle Award: Ralph Morana

Congratulations to the winners and thanks to all who voted!


Quaff & Ale with Jason Fisher of Indie Alehouse

September 15th, 2016 Posted by Feature, Quaff & Ale 2 comments

As we approach the start of 2016’s Toronto Beer Week, we are proud to present a new Quaff & Ale with Jason Fisher, owner of the Indie Alehouse.  Indie was the brewer of the official beer of Toronto Beer Week, Interloper, and is hosting the West End Social on Monday, September 19th, plus a ‘Hangover Brunch‘ on Sunday, September 25th after Toronto Beer Week wraps up.

Who is Jason Fisher?

Who indeed. I’m the owner of the Indie Alehouse. Outspoken about Ontario liquor laws and I occasionally channel Steve Jobs, particularly when he was an asshole to people who could not keep up. But I’m working on it.

You got into professional brewing late, but not brewing itself. Tell us about your path to founding the Indie Alehouse.

I got in early and late. I brewed my first batch of home-brew at the age of 16 for my grade 10 science project in 1985. Got addicted to it, the process of brewing and the results were so much better than I thought they could be. I then read every brewing book or magazine I could find. I have a complete collection of several brewing magazines many of which are out of print now. At the time, the idea of opening a brewery was as unlikely as going to Mars. I went off to Dalhousie University and found out the undergrad geology department had a very serious homebrew club and lab set up so I transferred from chemistry to geology. After school I home-brewed for 10 years then kind of gave it up for a time with no realistic possibility of opening without a role model or a lottery victory. I had a good job that I hated but it paid off the student loan and I was learning business and marketing. Then in 2001 or so, I read Brewing up a Business by Sam Calagione and that was a huge turning point for me. His journey was not too dissimilar than mine, except he went for it at an early age. I decided to work on a plan to do this. I decided to try and learn as much about running a business as I could and learn from successful breweries in the U.S. that I loved so that if I could ever get the cash together I would have some skills to be ready to open a brewery. I also traveled in the U.S. a lot, so I visited and spoke with as many breweries as I could. In 2009 I had 20+ years of business experience, savings and a buy-out from a small company I worked at and enough business analytics and marketing experience to know I could figure out the rest. So I quit my job and set about opening the Indie Alehouse. It took 2.5 years from that time, but we opened in October 2012. As for not being a full time brewer, I try to spend as much time in the brewery as possible, I’m still in on every recipe discussion and and try to get some time on the system when I can, but the paperwork and management time is unreal when doing this on your own. Sooner or later, I will work a regular shift in the brewery just making beer and let someone else look after the bills. I have a plan for that too.

You’re almost a veteran of the Ontario beer scene now due to the explosive growth since your opening. What’s changed from your perspective since you opened?

Yeah, thats scary that Indie is part of the older breweries now. It tells you how much things have changed in such a short time. Maybe people saw me doing it and figured it had to be easy if I was doing it? It is much easier to open now than it was only 5 years ago, I shudder to think what Beau’s and those older breweries had to go through 10 years ago. Craft beer is now in the daily vocabulary in Toronto, that was not the case 5 years ago. I’m sure one of the beer writers in town could tell you the exact number, but I think there were less than 5 real “American Craft Beer style IPA’s” made in Ontario in 2010, today there has to be close to 100. What’s changed is someone finally showed the way. I’m proud to be a very small part of that, and am grateful to those who came before and were of great help to me. I think the recession of 2008/2009 helped a lot too. With most industries tanking on Ontario, craft beer grew >50% those years, while other categories were stagnant or declining, and I think business people finally took notice.

Who are some of the brewers or breweries that you’ve looked up to or inspired you?

I have a great deal of respect for the Ontario breweries that came before us, because I know it had to have been much harder to get as far along as they have than it was for us to get here. But my inspiration and role-models have all been U.S. craft breweries. I spent more than a decade modelling what they did well, and failed at so I could have the advantage of that knowledge when I started out. In part for their business model and complete generosity in sharing their knowledge as well as the their approach to brewing and their beers – I have always found Russian River, Dogfish Head, Stone and Three Floyds brewing companies to be the answer to most of my questions and roadblocks. And their beers always teach me something.

What are some of your favourite beers you’ve made at Indie?

Instigator IPA was an old home-brew recipe I have brewed for 20+ years, so its my go-to #1. I love the sours and barrel aged and blended beers, the process is so much fun, our Flanders style ‘Ritual Madness’ is another top choice when it’s available.

What are some of your favourite beers in Ontario (or elsewhere) right now?

It’s way too big a list these days, it was not that long ago the list was two or three beers tops. Being inside the industry has very limited perks, but knowing whats coming soon from other breweries and will be fresh is one of them. I try to get fresh IPAs from Great Lakes and Rainhard because they are close by and amazing, whatever funky farmhouse or barrel aged beer is coming from Amsterdam and any of the stuff from Bellwoods the brewers recommend to me.

What does the future hold for the Indie Alehouse?

In the short term, paperwork and meetings. We are considering an expansion, but a small one. World domination and making as much beer as possible are not our goals. Making beer our way, as good as we can make it and having fun doing it – those are the goals.

What advice would you have for someone who wants to get into the beer scene professionally?

Someone comes asking for advice at least once a week, I’m always happy to help real breweries any way I can, as others did for me. My number one piece if advice is to be brutally honest and critical with yourself about what you can do and can no do and why you want to do this. If it’s money, fame and those kinds of things – I can’t help you, you’re crazy. If you think you can do it all yourself, or if you think the brewing part is easy, you’ll just find a brewer – you’re in for a huge reality change. Usually people have questions about financing, paperwork and the processes of opening – those are daunting, large tasks at first but become more manageable with even a little assistance. My advice after helping with those tasks is to make a beer you love, not one that you think will sell well.

What is your most memorable beer experience?

I once had a beer in a pub with Michael Jackson in Yorkshire, the place was packed and I only managed to say “Hi, I love your books” and he said “Cheers”. That’s it. I was nervous. I have also been lucky enough to get some advice and have a beer with Sam Calagione, that meant a lot to me at the time, and still does. But now I can get great support and advice from local brewers, realizing that is the case a year or so ago, how much things have changed here, that is the best.

Where do you see the beer scene headed in Ontario?

Answering this would get me in a lot of trouble – so I will say this: there will be some ups and downs coming very soon. That’s not a bad thing, it happened in the U.S. and it will happen here. We have come a long way in a short time, but to get to the next level beyond marketing noise, contract brewers and Beer Store monopolies – and into the promised land of a high number of quality beers easily accessible, that will be much harder. We have a number of institutional and systemic changes to make, including in peoples’ minds, and right now I don’t think we have the leadership or infrastructure to do it. Everyone is too busy opening up, growing and making beer. Which is amazing, but for it all to last and get better, we need to make some changes. Lots of people don’t agree with me, we will see soon enough who is right.

Indie has been known for excellent events. What goes into a great beer event?

It’s part of my business background, putting on and hosting events – so it’s a comfortable space for me. Two key principles go into an Indie event, and I have found they have served me well. One, the event has to be true to the business, it has to feel like an Indie Alehouse event, not like we were trying to be like anyone else. For us that means no gimmicks, no long speeches between courses and not trying to be a wine tasting. Huge value at a fair price. Two, run the event in your walkthrough planning meetings a hundred times or more. From the view of the customer, the staff, the kitchen, the customers who will be turned away when we are closed, from the VIPs being invited, etc. Again and again and again. Then be ready to improvise, because something always happens, like a power outage or a roof leak.

You’ve done a lot of collaboration beers at Indie. What are some of the memorable ones?

We did tons at the start, then essentially stopped them when they became kind of a joke in the industry. We actually met with and brewed with our collaborators. Then all of a sudden there were festivals of collaborations, 99% of which involved musical acts who never set foot inside a brewery – it became a marketing ploy when it was once a way to share the brewing experience and for brewers to learn from each other and make adventurous beers. It turned into a way for an event organizer to make money and people to cash in on craft beer. So we dramatically slowed down our collaborations and when we do them we didn’t publicize them very much. It was originally for fun and adventure, anything less than that is not for me. The two most memorable collaborations – we brewed with Ralph Morana for the Bar Volo 25th anniversary – we used Italian chestnuts in a saison and made “Ralph’s Nuts” – such a great beer in my mind. Second, there was an infamous attempt at a collaboration with Iain McOustra from Amsterdam. We may have had “a few beers” during the brewing – and possibly for that reason, we neglected the beer and we encountered “a few problems”. What was initially supposed to be a Tripel, turned into a kettle sour and it was the first one we ever made.

What was it like to develop the official beer for TBW this year?

Like most things Indie Alehouse, we likely should have not pursued this, it was too big a task for us this year and would have been a much better idea two or three years from now. However, that’s not how we do things, so we went for it. It’s far too complicated a beer and process for the resources and time we have on hand, but you don’t know what you are capable of if you don’t test your limits. It put a very large strain on the brewers to make these 20HL of beer in the middle of our busiest summer ever when we are at full capacity all the time. But we did it and I can’t wait for people to tell me its not like a traditional Farmhouse Ale. It’s not, we know. We went for a big-risk beer style that is not well known to even many craft beer drinkers, our first LCBO listing and did it while at full capacity. That’s what I want to keep doing at Indie.

Thank you Jason, and have a great Toronto Beer Week!

Pizza Port in Ocean Beach, San Diego.

San Diego’s Beer Paradise

September 10th, 2016 Posted by Bar Towel Radio, Feature, On The Road Reports No Comment yet

San Diego is one of my favourite beer drinking cities, and generally just an amazing place to visit all-around. Recently I was able to spend a couple of days there enjoying the always delicious beer, and was fortunate to be able to chat with Jill Davidson, President of the San Diego Brewers Guild about the region’s dynamic and thriving beer scene.

In this podcast we chat about the early days of San Diego beer, where the local beer scene is headed, some of the great breweries and neighbourhoods to check out, San Diego Beer Week, and all about Pizza Port, where Jill works full-time and one my most loved beer spots anywhere.

Give it a listen below or on iTunes:

Father's Office, Los Angeles

A Torontoian Beer Lover in Los Angeles

September 1st, 2016 Posted by Bar Towel Radio, Feature, On The Road Reports No Comment yet

Recently I was fortunate to spend a couple of days checking out the beer scene in Los Angeles, California. Although it’s one of the largest cities in North America, the beer scene does not have a long history compared to other beer spots around the continent. But that’s changing quickly, with the emergence and rise of numerous new craft brewers in L.A. making waves with delicious and interesting beers.

While I was in there, I recorded a podcast with Aaron Champion, a former Toronto resident who moved to L.A. a few years ago, launched the excellent craft beer website Cask Ale LA and has been helping Cask Days coordinate some of the American beers available at the festival.  On the podcast we chat about Aaron’s move to L.A., the local beer scene and some of the great spots and great beers to check out, and a little bit of the Ontario beer scene and Bar Towel Forum reminiscing. Plus, he gives us some inside information about what to expect from California at this year’s Cask Days.

Please give it a listen below or via iTunes:


This episode was recorded live at the awesome bar Father’s Office, at the  1018 Montana Avenue location in Santa Monica. To find out the latest that’s on tap at FO, text ‘Beer’ to 424-234-2337. Also, have the burger.